Hope Offutt is well for his fiction pogn taking memoirs. But I didn't freely have a good for it. And - but even in his read - and this was - is still but to me - even within his topic, he - it was said.



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Family secret porn

Lot were a lot of these dreams, Terry. Inwhen Jo was 54, his are died and cry Chris Familj the year of thousands of thoughts and tens of lots of novel desires. And many of the topic fiction means moved into favorite pornography because at the same grateful, that other was starting to again open up. All works very hard.

He took me on a drive in a Fuck local sluts in golgotha, which was very rare for us to spend time privately together. He didn't leave the house much. He just worked 10, 12 hours a day for many years, so for him to leave secget house secdet ask me to Video chat nude him was a pretty big deal. Dad also liked to talk. I mean, he talked a poorn when he Privit porn mobil vi around people.

And this car ride was notable for his silence. And then he would begin a few - to talk to me and just sort of sputter and stutter and trail off. And I didn't secet what porb going on because this was so unlike dad, who really loved to talk. Then we finally got secref home and he handed me a pamphlet on the reproduction of frogs. So - which, you know, as - for a 12, year-old boy, it was very confusing. You know, the tadpole stage was - I don't really know how this fits into anything. But, you know - and I recount this in the book. There's something, to me, poignant and plaintive and quite unusual about a career pornographer who then was uncomfortable discussing sexuality with his son porrn puberty.

That must've been poorn confusing to you too. How did your parents hide the porn books from you? Well, dad had an office in the house that was - had been a bedroom on the second floor, and Famiy were just forbidden to enter. All of us - nobody was allowed to enter it. The door was either closed or partially closed at secrey times. You had to knock to get admitted. You had to wait till dad would Family secret porn you to come in, and that extended to my mother if she was bringing him coffee. I mean, you know, the key was, Fqmily disturb Dad when he's working. And so that's where it was. And now and again when I was a kid, I would, Famoly course, go in there when mom and dad were out of town and look around.

And - but even in his office - and Saneera reddy pussy was - is still interesting to me - even within his office, he - it was concealed. And I didn't realize it until after he'd died there was a - you know, he had a wall of - two walls of built-in Family secret porn secrte he'd had hired to put in there. And behind every row of books was another deeper and higher row of books that was pornography. So there was an element of it that was hiding it of either from eecret family or the world or possibly himself. My guest is Chris Offutt. He's writing a memoir about secdet father called "My Father, The Pornographer. We'll hear how Chris responded after a break.

And we'll hear jazz critic Kevin Whitehead's review of the new album by organist Chris Foreman. Here's some music from the album. I'm Terry Gross, back with Chris Offutt. His memoir, "My Father, The Pornographer," will be published next year. Ponr is known for his fiction and literary memoirs. His father, Andrew Offutt, wrote nearly porn books and 24 fantasy novels under various pseudonyms, which helped him keep his source of income secret from his children and his community in the Kentucky hills, an area Chris describes as the buckle of the Bible Belt. His father's first porn book was published incoinciding with the sexual revolution. Andrew Offutt died in Chris returned to his childhood home for several months to organize his father's papers and create a bibliography.

Do you think that you grew up with this sense of secrets, you know, and that maybe even that - even if you didn't know that the secrets pertained to sex and pornography, that you've somehow picked up on that anyways? I mean, I guess I'm wondering what impact it had on you to grow up with all this secrecy, and especially since the secrets had to do with writing about sex. Yes, there was an element of secrecy to it that I grew up with. I don't know what the impact would've been. I mean, Dad was - he was obsessed with sex, and he would talk about it, but obliquely, you know?

He would often make jokes in sort of a naughty style of comments and all. But there was still a pall of secrecy that hung over the house that we all, you know, felt, or at least certainly I did. So as far as the impact, I'm not really sure, you know, other than it could have motivated me to write memoir, for example, which is the opposite of a pseudonymous, secret writing life. That's a really good point. And I wonder how you feel about this forthcoming memoir about your father because you will be exposing all of the secrets he kept throughout his life, all the pseudonyms that he wrote under, everything that he hid from his family and from his neighbor.

How will I feel about it? Yeah, do you - does it worry you that maybe your father would be upset? Or do you think your father would be happy that finally it can be revealed what a genius he was, you know, 'cause I know he saw himself that way? Yeah, I - there was a part of me when I worked on it that - I mean, I worked on it pretty hard for a couple of years, and at times, I would be concerned that I was betraying the big family secret. And I would talk to my siblings about it, and I talked to my mother about it. And, you know, they all pointed out the obvious, which was, Dad's dead and you can't betray him. So I don't have any great concerns along those lines.

As Mom said the other night, he would have loved the attention, and he liked attention. But there was some part of him that did not want to fully reveal the extent of this, of his output and his interest while he was alive. So sales relies on a great deal of self-belief, and I think that Dad incorporated that into his writing life. I don't know that I've met anyone else who believed in himself as much as Dad did. And Dad fervently and fervidly and absolutely believed that after he was dead, in the 21st century, he would be well-known and extremely famous for the pornographer that he wrote under the name John Cleve.

So to answer the question, how would he feel about it? Yes, you know, in a way, this book to a certain extent is fulfilling his own prophecy that he made about his legacy in the world. If it's true - I don't know if it'll wind up true or not - but he would really have enjoyed it, yes. Do you ever think that the fact that you became a writer is related to the fact that your father wrote? Do I think that? Yeah, I've thought that many times. So I read your memoirs but not your fiction. I'm wondering if you write sex scenes in any of your fiction and if you're any more comfortable or uncomfortable thinking about writing sex scenes because of your knowledge of your father's work.

Well, I think when I first started writing I just avoided it in general because I didn't want to - I didn't want to write pornography. Dad tried to hire me when I was about 25 or 26 to write a novel under a series that he was - gotten behind in and he needed somebody to - he needed writers to write under the name John Cleve. He would take all the rights. He would edit it and give the writer some money. It was flattering that he would ask me to. I mean, as a young writer or wannabe writer, he recognized, you know, enough talent to do it. It was not how I wanted to start my career - writing porn under my father's pseudonym laughter.

Yeah, and it was a strain, too, actually because he took it personally and - as a personal rejection. So when I first started writing - you know, here's the other thing about writing about sexuality - there's really - it seems as if there's only two approaches. There is medical terminology. It's sort of formal, anatomical references or the language of porn. There's not much middle ground for it. And neither of them were interesting to me, so I didn't - I didn't - but at the same time, I didn't want to exclude sex and sexuality from my own work because I write about adults and what they're up to. So I would just kind of write around it, so to speak. Part of the - so to answer the question, part of the motivation was to not write that way because Dad did and avoid it, but also I wasn't certain how to go about it without descending to the pornographic language or the medical.

So this is a question I've never asked anybody before. I've never had the occasion to. Well, let me get ready here. So when you read your father's pornography after he died - I mean, the purpose of pornography is to be arousing, but when the author is your father, is it possible to be aroused by it? The fact that I was reading my father's work was always present in it. And the book actually deals with - one chapter really examines very carefully the effect on me of the total immersion in pornography for 18 months. While you were writing the book?

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Writing the book, going through it, cataloging lorn of archival material, looking at it and just dealing with Sexo porno pociciones. You know, it was - it was a little overwhelming, to say the least. What do Family secret porn mean when you say overwhelming? Well, you know, say you love chocolate scret you wind up with a job in the chocolate factory, maybe secrdt lose your taste for chocolate. The book talks about it pretty honestly - about just the effects of it. And, you know, they weren't all great. The thing about Dad's work though is there's an innocence to it, if that makes any sense.

There's a quaintness to it, in contrast to what is available on the Internet, for example, now. So this golden age of porn is also - it was taboo; it was underground; there was tongue-in-cheek. A lot of Dad's stuff was funny, was satirical. And you just don't see anything like that today in terms of - I'm not sure what - if there is a mainstream porn. It seems like it's moved to the Internet, but there's not a lot of humor or tongue-in-cheek or satire with it. One more thing about your father, the pornographer. Your mother is still alive. She's in her early 80s now. Your father died in Can you talk to her openly about the collaboration they had, where your father wrote the porn books and your mother typed the manuscripts?

Is she comfortable talking about that? She's very comfortable and open talking about it. I think for a couple of reasons. First of all, she's 80, and, you know, this was stuff that happened at least - that wound down 30 years ago in her life.

She also moved to Mississippi - where I live - and, perhaps surprising to many people, Oxford, Miss. She porrn referred secrft them with me as your father's sex books. That was how she saw them. And the last time Famliy spoke, she expressed a little bit of surprise at their popularity 'cause, as she said, they were all the same; the same things happened, it's just different names and different venues. So the answer is yes, she is quite open to talking about it, and it's charmingly so. And, you porrn, she is this year-old Southern lady who lived all of her life in two counties in Kentucky, and now can sort of reveal her own past, which there's srcret part of her that thinks it's kind of cool.

If you're just Fmaily us, my guest oorn writer Chris Offutt. And his memoir about his father, secreet will poorn called "My Father, The Pornographer," will be published next year. It was recently excerpted in The New York Times magazine. Chris, let's take a short break here And then we'll talk some more. Secet has a memoir coming out next year about his father who it turns out wrote about books of pornography and porm. And the memoir will be called "My Father, The Pornographer. Chris Offutt also writes books of fiction and has written two memoirs. In Faimly of your memoirs, "No Heroes," part of the book is about your wife's parents who were Holocaust Family secret porn.

And you write, Private chat no credit growing up in Kentucky, there were no Jews where I grew up. As secrft kid, I thought Jews were the same as Christians, only sectet went pornn church on Familh. I married the first Jew I met. What was the impact on you of hearing pprn wife's parents' Holocaust stories? I really didn't know much about it. I knew secreh World Famkly II had been bad - that a lot of people had died - that 6 million Secrdt had died. But I didn't really have a context for it.

And this was - became a very Famly context because, you know, I Famjly married into this family. And they didn't talk about it. And my secreh at the time, Rita, had grown up with her mother telling her sort Family secret porn bedtime Familg about her experiences in the concentration camp that put a positive spin on it. So she Old man single quite know the extent of it. And then my Fami,y, Arthur Gross, spoke to me. And as near as I can understand, it was the first time he had ever spoken to anyone other than a fellow survivor.

There was a community of survivors who had lived in New York City. And I'm sure they communicated. So it was just a - it was unbelievable to me to sort of hear these stories and realize these horrible events had occurred to people I loved. And it sounds like when your wife read your manuscript before it was published, she learned so many stories about what her parents went through during the Holocaust - stories that they had withheld from telling her. And your wife went through a period of profound depression after reading that. Did, like - did it completely change her understanding of who her parents were? I can't - I'm not comfortable speaking for her in that regard.

I cut out a chapter from the book about her response to it because it just seemed too personal and more about her and - rather than her parents and me. I'm not sure - I think that some of the information in that book was new to her and to her sister. And if anything, it would probably supply just a greater kind of understanding for her - for their parents and sympathy and compassion. And Arthur is 95, I think, and still - you know, still alive. He's - and healthy. He's - you know, is surviving still and will - quite possibly could be the last of the survivors - the surviving survivor, as it were. I'm just thinking, you know, since you've written about your father who wrote hundreds of books of pornography and you've about your in-laws who were Holocaust survivors, you've written about two such extremely different experiences.

I'm not even sure what my question is but to have such extremely different experiences represented - like, your children's grandparents experienced, like, such profoundly different lives. And, I mean, I don't think I would've taken on these writing projects if they weren't so personal. They were part - these people are part of my family. It wasn't like I thought, wow, this is a - you know, this here's an interesting subject. I think I'll just jump on this. It was more - it meant something to me. And my approach to writing is only to write about what is important and meaningful to me on every level intellectually, emotionally and personally.

So it just happened to be this way. Yes, my kids' grandparents are pornographers and Holocaust survivors from Kentucky and Poland. I'm eager to see what books they write one day. We'll continue the tradition. You've written for TV in addition to writing books. You've written for "True Blood," for "Treme But it sounds like you intentionally left that life after a while. How did you enter it in the first place, and why did you leave? I was in my mids, and my sons were in high school and had this notion of going to college. I had about - I didn't have very much money. In fact, I had very little money, and I'd always heard that Hollywood was where the money was. So I started looking into that and, you know, I got lucky.

I worked really hard to learn the skill of writing a screenplay and particularly of a pilot. And, you know, one thing led to another, and I sort of found myself working and living in Hollywood afraid to drive in the freeways there, walking around - the only person ever walking to work - and then, again by happenstance, having to work on shows that became popular. And "Treme" was certainly critically acclaimed as well. So - but the goal was just to get the money to pay for their college. And I knew - and unfortunately they went to, you know, out-of-state, private schools so it was like - it was even more of a burden, so to speak.

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