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Marks Place, East Village, See the world through the eyes of precocious children in Noah Haidle's comedy about a wished-for family 1: Veronica commits suicide and refuses to be reincarnated in Christopher Durang's new comedy 1: Playwrights Horizons, West 42nd Street, Clinton, A new work by Ariel Dorfman "Death and the Maiden" about a couple living in a war-torn country waiting for their year-old son to return home. Rosemary Harris and John Cullum star 2: George Grizzard, Frances Sternhagen, Elizabeth Marvel and Frederick Weller star in the revival of Edward Albee's interspecies drama about a couple who meet two talking lizards on the beach 1: Gabriel Byrne, last on Broadway in "A Moon for the Misbegotten," stars as an Irish tavern owner whose daughter falls in love with a wealthy American in one of Eugene O'Neill's last plays.

Doug Hughes directs 2: Studio 54, West 54th Street, A revival of Horton Foote's drama about a woman longing to return to her childhood home. Directed by the veteran actor Harris Yulin 2: Signature Theater, West 42nd Street, Clinton, Biltmore Theater, West 47th Street, Hilton Theater, West 42nd Street, Imperial Theater, West 45th Street, O'Byrnethe young priest who may or may not be too fond of the boys in his charge. The play's elements bring to mind those tidy topical melodramas that were once so popular.

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Shanley makes subversive use of musty conventions 1: Walter Kerr, West 48th Street, Mostly, it's like drowning in a singing sea of syrup 1: Music Box Theater, West 45th Street, The real Finds local sluts for sex in garth trevor of this shrink-wrapped bio-musical, for those who want something more Fidns recycled Local no sign up sex hookup toppers and a storyline poured from a can, is watching the wonderful John Lloyd Ttevor as Frankie Valli cross the line from exact trevr into something far more compelling 2: Najera and three other talented Latino performers.

Najera and his compadres can be skillful slingers of one-liners, but the characters cooked up to transmit them are neither fresh nor fully realized. In contrast to the colorfully individualized portraits in John Leguizamo's solo shows, the men and women of "Latinologues" are composites of grevor, easy stereotypes 1: Helen Hayes Theater, West 44th Street, The show soars only in the sweetly bitter songs performed by the wonderful Victoria Clark, as an American abroad 2: Beaumont Theater, Lincoln Harth, This clunky farce about the trecor of liberalism, directed fod Doug Hughes and starring a miscast Richard Thomas and Jill Clayburgh, suggests that Mr. Greenberg has been moonlighting as a gag writer for sitcoms and is now recycling his discarded tevor 1: American Airlines Theater, West 42nd Street, How could an adjective suggesting strangeness or surprise apply to a production so calculatedly devoted to the known, the cozy, the conventional?

As the title swx in Neil Simon's comedy, directed as if to a metronome by Joe Mantello, Nathan Lane and Matthew Broderick reprise their star performances from "The Producers," and it's not a natural fit. Don't even consider killing yourself Fihds the show is already sold out 2: Brooks Atkinson Theater, West 47th Street, Such a good time is being had by so many people that this fitful, eager celebration of inanity and irreverence has found a large and lucrative Datingcure com 2: Shubert Theater, West 44th Street, The thrilling new revival of Stephen Sondheim and Hugh Wheeler's musical, with Michael Cerveris and Patti LuPone leading a cast of ten who double as their own musicians, burrows into your thoughts like a campfire storyteller who knows what really scares you.

The inventive director John Doyle aims his pared-down interpretation at the squirming child in everyone, who wants to have his worst fears both confirmed and dispelled 2: In the title role of the hopeful dance-hall hostess, the appealing but underequipped Christina Applegate is less a shopworn angel than a merry cherub 2: Al Hirschfeld Theater, West 45th Street, William Finn's score sounds plumper and more rewarding than it did Off Broadway, providing a sprinkling of sugar to complement the sass in Rachel Sheinkin's zinger-filled book. The performances are flawless. Gold stars all around. Circle in the Square, Broadway, at 50th Street, Isherwood 'BEOWULF' Bob Flanagan's luminous puppets of lizards and fish are wonderful, but they are relatively tangential to a so-called rock opera that is not sure whether it wants to be a children's show or "Jesus Christ Superstar," and fails at both.

Humans who are less animate than the puppets try to sing their way through an uninspired enactment of this great epic 1: Luke's Theater, West 46th Street, Clinton, It works better than you might think in this revival of a play: Cambodia's recent history is painted in broad strokes of parody intermingled with a tragic story line. But the most vivid performer on stage is a real-life Cambodian dancer, Sam-Ouen Tes, who doesn't have a speaking role but communicates more than this slightly pale though well-meaning piece 1: West End Theater, West 86th Street, Andrew, West 86th Street, Manhattan, Providing a two-foot drum on every seat, it offers an opportunity to exorcise aggressions by delivering a good beating, and, on a slightly more elevated level, it presents a superficial introduction to African culture, lessons in drumming and 90 minutes of nonstop music, song and dancing by a good-natured cast 1: She, John Bolton and Jeff Gurner search for love in five restaurants, with a too-generous portion of bad accents and phallic jokes along the way 1: But even more than usual, the show offers an acute list of grievances about the sickly state of the Broadway musical, where, as the lyrics have it, "everything old is old again" 1: A few of David Nehls's dozen ditties raise a hearty chuckle, like the valedictory anthem in which the show's heroines collectively vow to "make like a nail and press on.

Dodger Stages, West 50th Street, Clinton, TheaterWest 47th Street, Clinton, Dillon's, West 54th Street, Deirdre O'Connell gives a warm, engaging performance as a reformed rebel with a colorful past that bleeds into the present in sensational ways 2: It is well acted and well directed, if too predictable in spots 2: Urban Stages, West 30th Street, True believers will love how Mr. Ross, a self-confessed geek who plays every major role in under an hour, simulates R2D2, but everyone else will scratch their heads 1: Lamb's Theater, West 44th Street, The production, first seen last March and April, is in its second go-round 2: Isherwood 'Radio City Christmas Spectacular' Diminished though it may be by the absence of its orchestra in its 73rd season, it remains prime entertainment 1: The show's film-noir-style first half is more chilly than chilling.

With Idina Menzel and Marc Kudisch 2: In this thoughtful, seriously imbalanced comedy, Wendy Wasserstein takes her archetypal heroine most famously embodied in in "The Heidi Chronicles" into the fog of menopausal, existential uncertainty. The wonderful but miscast Dianne Weist plays a feminist college professor forced to reconsider everything she stands for. Though Daniel Sullivan's staging is too easygoing to build tension, the play exhales a poignant air of autumnal rue 2: It's not good, apparently, but what's new? A bright cast keeps things lively, but Mr. Rosenblatt's targets are mostly moldy 1: His patter and his piano playing are variable, but Mr. D'Arrietta makes a genial tour guide through Mr.

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